Thanks To HARMAN’s Studer Vista 8 Digital Live Production Console The Audio Aboard All Mobile Video's Titan Truck Gets Where It Needs To Go
June 01, 2011
Complex awards shows are a breeze thanks to the Vista 8's Vistonics™ user interface that lets engineers configure the desk as needed for any program.
NEW YORK, New York - In an illustration of how HARMAN’s remarkable Studer Vista 8 Digital Live Production Console can add tremendous value for broadcasters, the Titan truck from All Mobile Video (AMV) is fitted with a Vista 8 that has dramatically accelerated the workflow for projects ranging from professional sporting events and internationally viewed awards shows to all Metropolitan Opera live broadcasts throughout the year, to live documentaries, corporate communication events and daily television broadcasts. With a triple Expando layout that configures it at 66 feet long by 21 feet wide when fully expanded, Titan is aptly described as the largest and most powerful production truck on the road and it won Television Broadcast's coveted "Top Innovation at the 2006 National Association of Broadcasters convention. Only the Studio Vista 8 Digital Live Production Console could keep up with a truck like Titan.
"You would be hard pressed to sonically beat this console," states Ian Vysick, Audio Development Specialist at AMV. But it's the Vista 8's ergonomics that Vysick says offer the company enormous value day in and day out. "For starters, this console is easy to use, and that's important because then I don't have to sit down and train someone to use it each time," he explains. "New users are up and running on this console in ten to fifteen minutes. That frees my time up to do other important things." Vysick notes that the Vista 8's acclaimed Vistonics™ user interface allows each engineer to literally build their own console to fit the needs of each unique project. "A classic example is the pre-show for the MTV Video Music Awards program, which has a lot going on all the time," he says. "It will need a lot of mono and stereo inputs and will be broadcast in 5.1 but will require stereo downmixes. I can build the desk into any configuration I need to do what the show calls for. I couldn't comprehend doing the show without this console. No matter where the audio has to go, it goes through the Vista 8 effortlessly.”
The Vista 8's high degree of flexibility stems largely from the highly acclaimed Vistonics user interface, which provides unmatched analog console-like control and a clear, easily understandable display of all operating parameters along with fast, easy operation. The Vista 8 possesses powerful broadcast features to offer a highly sophisticated and flexible multipurpose live broadcast desk. For example, its unique Control Bay design offers rapid access to all faders in a small footprint, making it ideal for both fixed install broadcast and OB van applications. The Vista 8 offers additional advanced functionality, such as 7.1-channel surround-sound mixing capability, dynamic automation, a sophisticated snapshot system, dedicated mute groups and more.
"The Vistonics lets you know the status of everything whenever you need it," says Vysick. "The dynamics are color-coded on every layer -- green is compression, red is EQ and yellow is pan. If you can operate one fader, you can operate a hundred. It's that simple. The Vista 8 has never given us any problem. And if there ever was a problem with a fader, because of its bucket design and the Vistonics, I can move to another fader instantly. It's incredibly reliable because of the way that it's designed and built. It's a fantastic console."