Studer Vista 5 Makes the Classical Spectacular for Chandos Records
September 17, 2012
COLCHESTER, United Kingdom — With an eclectic and award-winning catalogue of classical music—much of it consisting of orchestral, choral and chamber music—UK-based Chandos Records is renowned for its natural sound quality and prides itself on capturing superior audio with first-class balance. Founded in 1979 by Brian Couzens, the independent label is today run by his son Ralph, who knows that sound is only as good as the production facilities, and his quest for a state-of-the-art digital mixing console to complete the equation led him recently to a 32-fader HARMAN Studer Vista 5.
The Vista 5 has the combined effect of greatly increasing the DSP and I/O capacity over Chandos’ previous desk, which had served them well during the previous decade. “We also needed 24-bit, 96kHz capability, which is our standard for recording,” confirmed Couzens. “Although our old desk would support 96kHz, this was only by halving the number of available channels and busses. We were faced with cutting it down to 48kHz or linking two desks together with MADI cards—but that would have meant buying a second desk.”
But the path that led Chandos to Studer was due to the extensive recording work they undertake with the BBC Philharmonic and Symphony Orchestras, the BBC Concert Orchestra and BBC National Orchestra of Wales. “We were aware that all their resident BBC facilities were equipped with various Vista consoles,” Couzens noted.
It was at BBC Wales that one of the resident technicians recommended that Couzens try their in-house Vista 8, and offered to walk him through the operating process. “I instantly fell in love with the way the desk worked,” he said. “I saw that Studer produced a Vista 5, which was portable—this was vital with location work.”
He and assistant engineer Jonathan Cooper attended a Studer Broadcast Academy day in Potters Bar and Studer volunteered a demo rig for evaluation. Chandos Records fired it up at Watford Colosseum and Couzens was convinced then and there.
The 32-fader desk consists of 20 channel strips, optimised for input channel operation, and 12 additional versatile strips for operating output and input channels. By using the standard Vistonics screen, up to 52 outputs are under immediate control. A total of up to 240 channels can be accessed from the desk and laid out in any order, with the Vistonics™ system giving instant control over all related channel functions. The DSP power and I/O are configured to customer requirements.
Typically Chandos will be recording orchestral ensembles in excess of 100 musicians—plus chorus—which places a heavy requirement on the I/O count. One such instance was at Watford Colosseum where the new console was pressed into service to record the complete orchestral works of Witold Lutoslawski by the 100-piece BBC Symphony Orchestra, conducted by Edward Gardner—for release later this year.
“We have 40 mic preamps and eight line outputs in the Stagebox and record via MADI to our Sadie LRX2. Sound quality is so important and the Studer A/D converters [the most important stage in the process] in the Stagebox are also fantastic,” Couzens continued.
“With DSP power you are mixing complex sound into a stereo bus but with the Vista 5 the sound and image stay true whatever the content you are mixing,” Couzens said. “With our previous desk the sound could run out of steam with the combination of DSP power and A/D’s but with the Vista 5 everything remains crystal clear whatever the circumstances. I also love the desk’s EQ, its operating system is intuitive and it’s so configurable if we need to duplicate and expand.”
“Already I am noticing the improved sound quality of the recordings,” summarised the Chandos Records MD. “And I expect audiophiles will too.”